Imac g5 repair. Set-aside was an incentive scheme introduced by the European Economic Community (EEC) in 1988 (Regulation (EEC) 1272/88),[1] to (i) help reduce the large and costly surpluses produced in Europe under the guaranteed price system of the Common Agricultural Policy (CAP); and (ii) to deliver some environmental benefits following considerable damage to agricultural ecosystems and wildlife as a result of the intensification of agriculture.
It sought to achieve this by requiring that farmers leave a proportion of their land out of intensive production. Such land is said to be 'set-aside'.[2]
- For instance, if people are unaware of SDGs, it is an opportunity to create awareness. In the case of South Sudan, only 45.4 percent are aware.
- Hi, I'm Mishan Elad. ME, for short I'm a designer, and I enjoy creating things that make people feel. Here are a few sides of ME.
Aside translate: da parte, in disparte, da parte, a parte. Learn more in the Cambridge English-Italian Dictionary.
History[edit]
Set-aside became compulsory in 1992 for large arable farmers as part of the MacSharry reform of the Common Agricultural Policy.[3] It was originally set at 15% and reduced to 10% in 1996. Following the introduction of decoupled payments in 2005, farmers who had historically claimed set-aside were awarded a number of set-aside 'entitlements' equivalent to the area they had previously set-aside. In order to receive payment on these set-aside entitlements, an equivalent number of hectares had to be removed from agricultural production.
Set-aside land was shown to be an effective way to improve soil chemistry and increase biodiversity on arable farmland, especially on 5-year non-rotational set-aside. [4]
On 16 July 2007, the European Commission (EC) announced its intention to publish a proposal to reduce the set-aside requirement to 0% in 2008, and the proposal was adopted on 26 September 2007. This was to help mitigate current shortages in the EU cereals market, increase cereals supply to the market and therefore reduce prices following two consecutive lower EU harvests.[5][6]
The EC agreed in November 2008 to abolish set-aside completely through the CAP Health Check.[7][8]
See also[edit]
- Ley farming, an agricultural system where the field is alternately seeded for grain and left fallow
References[edit]
- ^'Commission Regulation (EEC) No 1272/88 of 29 April 1988 laying down detailed rules for applying the set-aside incentive scheme for arable land'. EUR-Lex. European Commission. 29 April 1988. Retrieved 2 August 2012.
- ^'Set-aside'. Environmental Challenges in Farm Management. University of Reading. Retrieved 5 June 2019.
- ^Dinan, Desmond (20 February 2014). Origins and Evolution of the European Union. OUP Oxford. p. 210. ISBN978-0199570829. Retrieved 30 April 2014.
The reform therefore expanded the set-aside scheme, making it compulsory for large-scale arable producers, who would receive compensations in return for lost production on set-aside land.
- ^'A study of vegetation composition and soil chemistry on five year non-rotational set-aside under four management regimes, Essex, UK'. Jonathan Wade. April 1997. Retrieved 3 February 2014.
- ^'EU proposes scrapping fallow land'. BBC News. 13 September 2007. Retrieved 1 August 2012.
- ^Waterfield, Bruno; Charles Clover (26 September 2007). 'Set aside suspended by European Union'. The Telegraph. Retrieved 1 August 2012.
- ^''Health Check' of the Common Agricultural Policy'. European Commission. Retrieved 1 August 2012.
On 20 November 2008 the EU agriculture ministers reached a political agreement on the Health Check of the Common Agricultural Policy. Among a range of measures, the agreement abolishes arable set-aside..
- ^Kanter, James (20 November 2008). 'EU governments to overhaul farm subsidies'. The New York Times. Retrieved 1 August 2012.
In addition, EU governments agreed formally to abolish the so-called set-aside, which required some farmland to be kept out of production over the past two decades.
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Set-aside&oldid=973561787'
Asides Outlander Lists Online
'Now you could study Shakespeare and bequite elite
And you can charm the critics and have nothin'to eat
Just slip on a banana peel
The world's at your feet
Make 'em laugh
Make 'em laugh
Make 'em laugh'
And you can charm the critics and have nothin'to eat
Just slip on a banana peel
The world's at your feet
Make 'em laugh
Make 'em laugh
Make 'em laugh'
I might not agree completely with the philosophy of Cosmo Brown, but youcan't help getting impressed by the fact that he's spouting this whileperforming gravity-defying runs up walls (all the more impressive, consideringthis was decades before The Matrix,Inception andRajanikanth had ensured that such antics were greeted with yawns). That beingsaid, as someone who actually enjoyed her Shakespeare course and who does(occasionally) enjoy critically acclaimed movies, I am a total sucker for goodLOL moments, regardless of how cliched or mindless they might be.
Here's the list (in no particular order) of my favorites, moments that no matter how many times I see them, always make me laugh.
1. The Emperor's New Groove
Now while this one has many hilarious scenes ('Bewaaaaare the groove,' says the old man after being tossed out of a window by guards as a punishment for wrecking Emperor Cuzco's groove), the ones that stick out themost for me are the ones with the character Kronk, the right-hand not so brightmuscle of the villain, Yzma, with a penchant for cooking spinach puffs, playingskipping rope games and an uncanny knack for different languages (includingSquirrel - Squeak squeakity squeakins!). He's got many good moments, butdefinitely at the top of the list: his shoulder angel and devil.
The context: Kronk is having a moment of crisis and trying to determinewhether he should save Kuzco when his friendly neighbourhood shoulder angel anddevil appear.
Shoulder Devil (SD): Listen up, big guy. I got three good reasons whyyou should just walk away. Number one. Look at that guy! He's got that sissystringy music thing.
Shoulder Angel (SA): We've been through this. It's a harp, and you knowit.
SA (gesturing down at the 'robe'): Robe!
SD: Reason number two. Look what I can do. Ha-ha, ha! (He does aone-armed handstand.)
Kronk: But what does that have to do with anything.
The SA and SD make another appearance later, when Kronk is confrontingYzma.
Yzma: Kronk! Why did I think you could do this? This one simple thing!It's like I'm talking to a monkey.
Yzma: A really, really big stupid monkey named Kronk!
Yzma: And do you want to know something else? I've never liked yourspinach puffs! (Kronk, SA and SD gasp together) Never! (Kronkstarts to cry)
SA: She's going down.
Definite honorable mention: While setting up the dinner to poisonEmperor Cuzco, Kronk's response to Yzma's subtle allusion to the poison is'Riiiight. The poison for Cuzco, the poison chosen specially to kill Cuzco,Cuzco's poison .. that poison?'
Granted, this movie stopped holding any charm for me (aside fromnostalgia) a while ago. The somewhat contrived saccharine-sweet cuteness of thechildren was all good when I was ten, but now could be ranked on par with badDisney movies (High School Musical, all 3 parts, that means you!). Itdoes, however, have a gem of a moment between Captain Von Trapp and Maria. Thecontext: Maria, after displaying intelligence worthy of a tourist on Kodailake, has managed to overturn the boat bearing her and the seven Von Trappchildren by standing up and yelling 'Oh Captain! You're home!' What follows isa furious argument between the two, wherein Maria hurls a few home truths atthe Captain about his treatment of his children. At a particularly tensemoment, the Captain tries to cut her off and she responds with a loud 'I'm notfinished, Captain,' to which he quells her with an emphatic 'Oh yes you are,Captain.' Followed by a sheepish expression. And on Christopher Plummer's face.. priceless!
3. Blackbeard's Ghost
This is another one of my childhood favorites, one of many tapesbrought back by my parents from Kuwait. But unlike The Sound of Music, thisone never gets old. The story revolves around a young coach who moves to asmall seaside town. Once he arrives, he is befriended by the old lady who ownsthe inn he is housed in, and claims to be a descendant of the infamous pirate,Blackbeard. He then accidentally rouses the ghost of Blackbeard, who has beentrapped in limbo by a curse from his wife. The two proceed to become an unlikely duo, albeit a squabbling at-each-other's-throats one. Not an amazingplot, but the main reason this works can be summed up in two words: PeterUstinov, who plays the drunken, brutish yet strangely likeable pirate. Mostmemorable here is the furious fight between the coach and Blackbeard,punctuated by frequent booming yells of 'MYYY BED!' by Blackbeard. Theyultimately decide to share the bed, but the somewhat small-framed coach isfinally driven out by Blackbeard occupying more than three-fourths of the bedand his loud snores and sleep talking.
4. Stardust
It was watching this movie that actually inspired this post. Afterwatching it for perhaps the thirtieth time, I realized that I still laughed atall the same points as I had when I first watched it. These were mainly the scenes with theseven sons of the king, all of whom are either alive and fighting for thethrone or dead and stuck in limbo. The ghosts of the brothers and theirsarcastic asides and constant bickering add a lot to the movie. One of myfavorite scenes with them, however, is at the start of the film. The sceneopens with the ailing king, surrounded by his three sons, Primus, Tertius andSeptimus. Then the door bursts open and, accompanied by a loud triumphant overture,Prince Secundus enters.
The King: Secundus, look out the window and tell me what you see.(Secundus strides over to the window, standing with his back straight and chestpuffed out.)
Asides Outlander Lists Books
The King: And?
The King (chuckles): Maybe. Look up. (Secundus looks up and the Kinglooks meaningfully at Septimus who smiles, strides over and promptly pushes hisbrother out of the window. A few seconds later, Secundus appears alongside hisdead brothers, to be met with hostile looks.
Secundus (trying to laugh off his brothers' frosty stares): Oh, please,you're not still annoyed at that whole murder thing, are you? I mean, that wasten years ago.
Quartus (who has an axe embedded in his head): Great deal of good it didyou, killing me, Secundus. Because now, of course, you're King of allStormhold. Oh sorry, wait, no you're not - you're dead!
Another scene I just had to include:
Bishop (toasting the princes): To the new King of Stormhold. Whicheverof you fine fellows it might be. (They acknowledge him and sip. The Bishopchokes and collapses, dead.)
Tertius: Hmmm. (He chortles nervously as he and his brother eye eachother suspiciously. His eyes suddenly open wide, he chokes and falls forward,dead.)
Septimus (to Primus): You! (He clutches his throat and chokes, fallingbackwards onto the floor. Primus smiles, incredulous, picks up the crown as ifto put it on his head. Just as he is about to do so, Septimus bursts outlaughing and rises to his feet.)
Primus (accusingly): You killed the Bishop!
Septimus: No, Primus, I think you'll find that you killedthe Bishop by drinking out of the wrong cup.
This one cracks me up every time!
5. George of the Jungle
This is another movie that doesn't get old. There's the ape named Ape,who acts as a tutor of sorts to George, explaining complex problems such as theevolution theory and mating rituals (for animals). The movie also spoofs thewhole white-man-worship idea, particularly brilliantly when the villain, Lyle,tries to impress his African guides with his camera, who pretend to be awed byit, only to whip out a more advanced one.
Then you also have the omniscient narrator, who interacts with and (onone particular occasion) punishes the characters. And with that, we come to myall-time favorite moment of the movie, as the group approaches Ape Mountain.
Narrator: When they approached it, they gazed in awe.
Narrator: I said 'awe' - A. W. E!
Narrator: That's better.